June 10, 2015

Just arrived in Honfleur! It’s easy to see why the Impressionist painters loved it here. Between the ancient architecture and gorgeous light, I’m inspired too.

This seaside town is located along the Seine at the point where it meets the ocean. Honfleur is tiny; the tourism board says the population is only 8,500.

But 3.5 million people visit annually to take in more than 1,000 years of French political, cultural and military history. The seafood is supposed to be pretty good too. And of course, there are many ways that Honfleur charms artists.

This is my second and final destination on this 10-day painting trip in northern France. After three days in the lush greenscape of Giverny, arriving in Honfleur this morning was quite a change:


Today was about settling in. I’m staying in my own cute little apartment in a building the manager said is a couple of hundred years old. This is what my street looks like:


Thankfully, the interior has been recently renovated! And I have my own kitchen!

I spent the day getting settled — exploring the town, figuring out where to grocery shop and rearranging the apartment furniture. Now, everything is set up to my liking:


The fridge is stocked with apples and veggies. To maximize my cooking workspace, I cleared the counter of the microwave and coffee machine, hiding them behind the couch.

All my paint supplies are organized on the dining room table. Now I feel prepared to carry on with our 10-day creativity boot camp led by Frank O’Caine.

Frank says that painting is about figuring out your own psychology, how you operate. Through the trials of Giverny, I learned that I usually paint from the center or left of center, which is interesting. I also tend to leave the four corners blank — which is a total waste of space. Corners that contain elements help keep the viewer engaged.

I don’t know what Frank has planned for tomorrow, which will be our first painting day in Honfleur. But I’ll leave you with another tidbit from his talks. I think you’ll find this interesting if you’re an artist — whether you work with words, visuals, film, fabric, digital stuff or business ideas…

The key to a memorable creation is contrast. We have to offer our audience contrasting components that interact with each other. That’s creative energy.

In creating contrasting elements in a painting, Frank explained that contrast is different for each artist. The way you contrast and what you contrast is your way of exposing yourself. From here, we get to the whole point of being an artist.

“Painting is not about hiding,” he said. “It’s about exposure. You expose who you are.”

So here’s to making the most of who we are and what we have to offer. :)